The Munsters

The Munsters is an American sitcom depicting the home life of a family of benign monsters starring Fred Gwynne as Frankenstein’s monster-type head-of-the-household Herman Munster; Yvonne De Carlo as his vampire wife, Lily Munster; Al Lewis as Grandpa, the over-the-hill vampire who relishes talking about the “good old days”; Beverley Owen (later replaced by Pat Priest) as their teenage niece Marilyn, whose non-monster persona made her the family outcast; and Butch Patrick as their half-vampire, half-werewolf son Eddie Munster. The series was a satire of both traditional monster movies and the wholesome family fare of the era, and was produced by the creators of Leave It to Beaver. It ran concurrently with the similarly macabre themed The Addams Family (which aired on ABC) and achieved higher figures in the Nielsen ratings.

In 1965, The Munsters was nominated for the Golden Globe Award for Best Television Series, but lost to The Rogues. In the 21st century it received several TV Land Award nominations, including one for Most Uninsurable Driver (Herman Munster).

The series originally aired on Thursday at 7:30 pm on CBS from September 24, 1964, to May 12, 1966; 70 episodes were produced. Though ratings declined by the end of its initial two-year run, The Munsters found a large audience in syndication. This popularity warranted a spin-off series, as well as several films, including one with a theatrical release. –Wikipedia

The Munsters live at 1313 Mockingbird Lane in the city of Mockingbird Heights, a fictional suburb in California. The running gag of the series is that the family, while decidedly odd, consider themselves fairly typical working-class people of the era. Herman, like many husbands of the 1960s, is the sole wage-earner in the family, though Lily and Grandpa make short-lived attempts to earn money from time to time.

The costumes and appearances of the family members other than Marilyn were based on the classic monsters of Universal Studios films from the 1930s and 1940s. Universal produced The Munsters as well and was thus able to use these copyrighted designs, including their iconic version of Frankenstein’s monster for Herman. Other studios were free to make films with the Frankenstein creature, for example, but could not use the costume and style of make-up originally created by Jack Pierce for the 1931 Universal Studios film Frankenstein.

The idea of a family of comical monsters was first suggested to Universal Studios by animator Bob Clampett, who developed the idea from 1943 to 1945 as a series of cartoons.The project did not take off until the early 1960s, when a proposal for a similar idea was submitted to Universal Studios by Rocky & Bullwinkle writers Allan Burns and Chris Hayward. The proposal was later handed to writers Norm Liebman and Ed Haas, who wrote a pilot script, Love Thy Monster. –Wikipedia